Après plus d’une décennie de mise en sommeil, quelques membres de la faculté ont eu une idée : réutiliser le hall pour en faire un espace de performance expérimental où scientifiques et artistes pourraient collaborer. En 1998, « The Cave Experience », une installation multimédia interactive, a vu le jour. Ce fut le début de ce qui est devenu un espace de rencontre créatif pour un large éventail d’activités.

FOR NEARLY 65 YEARS, MOST passers-by at the Royal Institute of Technology (KTH) in Stockholm, Sweden have been unaware of the work of creative minds in a rock cavern below. But behind an inconspicuous entrance, just steps from the city’s bustling East Station, an elevator brings you 25m down into the bedrock where a unique site – and sight – awaits.

While there are obvious differences between now and when the reactor was in operation, the overarching objectives are strikingly similar: experimentation, collaboration, learning and sharing. By looking back at how R1 has evolved, Sweden’s first reactor site also shows the potential for reuse after shutdown. All it takes is a creative mind, and seeing assets not liabilities.

The dawn of nuclear

After World War II, Sweden was among the countries that had nuclear ambitions. In 1950, a group was formed to develop the country’s first reactor. The purpose was to study and learn more about the basics – reactor physics, radiation, materials, etc – but also to produce medical isotopes.

Access to bright minds was crucial, as was proximity to other scientific and technical research, so the KTH campus was deemed to be the right place. Excavations began in July 1951, and three years later R1 was in use. Initially it operated at 100kW, but over time thermal power was increased to 1MW. Given the shape of the hall and the prevailing view of nuclear as the future, R1 became the “Cathedral of Science and Technology.”

Karl-Erik Jonsson, a radiation protection technologist at R1 from 1959 to 1962, recalls: “Those were very different times. There were no limits. Whenever we asked for money for something, we got it.”

Irradiation experiments were conducted using both a central channel into the reactor core and neutron beam ports on the sides. Karl-Erik Jonsson explains: “It was all about learning at that time. So all kinds of things were placed in the central channel, including grains and fruit tree seedlings.”

Despite being in a rock cavern, he describes the R1 working environment as good: “The high ceiling was painted sky blue so it gave a sense of being outdoors.” And, “There were no restrictions on consumption, so I always had my morning coffee and sandwich down there in my office.”

Among his tasks, Karl-Erik Jonsson calibrated the monitoring instruments. This was done in a separate building at ground level, to ensure that there was no interference from the reactor. He says: “While the instruments may have been bulky, they were very precise. For some calibrations we used instruments from Professor Sievert.” Professor Rolf M. Sievert was, at the time, head of the radiation physics department at Karolinska Institutet and it was he who gave approval to operate R1. He was a pioneer in dose measurements and the medical applications of radiation, and gave his name to the SI unit for health effects of ionising radiation.

By 1970, Studsvik had become the country’s main nuclear research site and the time had come to shut down R1. While some attempts were made to preserve the reactor for its historical value, it was later demolished and the site released from regulatory control.

Once decommissioning was complete, no further use was envisioned for the R1 reactor hall and adjacent rooms. The “cathedral” became dark and silent, the only exception being the occasional visit by students who were rumoured to have found their way down after parties.

The second act

After more than a decade of being mothballed, a few faculty members had an idea: reuse the hall as an experimental performance space where scientists and artists can collaborate. In 1998 “The Cave Experience” – an interactive multimedia installation – saw the light. This was the beginning of what has become a creative meeting space for a wide range of activities.

When exiting the elevator and entering the reactor hall it is easy to see why. A clearly industrial scene – with railings, pipes, overhead crane, offices and control room equipment still in place – with that sky-like ceiling. Old mechanical designs, mixed with the latest multimedia technology. Everywhere, the spray-painted grid used to confirm that the site was below release limits. And in the middle, a gaping hole where the reactor used to be.

In one art installation, the bottom of the hole was the starting point of a 3km long laser sculpture. The beam was directed up through a vertical shaft and over to KTH’s clock tower (the highest point on campus). From there it was sent across town to Stockholm City Hall. “Stockholm by light” symbolised the span of everything created at KTH and passed on to society.

Research is also a cornerstone of the revived activities at R1, including visually connecting remote places to enable high-quality long-distance communication. In one experiment, visitors at the National Museum of Science and Technology were connected with a tour guide inside the R1 reactor hall through real-time video and audio. As in any museum, the visitors were shown around and given the opportunity to ask questions, which demonstrated the potential of mediated meetings in making cultural heritage sites more accessible.

With its remarkable acoustics and visual backdrop, R1 attracts performing artists; for live theatre and concerts and as a studio for music and film productions. This includes being the set of music videos such as Madonna’s “Nothing really matters” and Alan Walker’s “Faded (Restrung).” Enhancing the musical capabilities further, the reactor hall today houses a renovated Wurlitzer pipe organ from 1926 (originally used at a movie theatre) – the sounds of which cannot be described in words.

Leif Handberg, who has been instrumental in the R1 revival, explains: “Both science and arts are embedded in KTH’s logo. So through R1, we enable these to be integrated. We strive to showcase to the rest of society the innovative work of today’s bright minds.”

“If they had known what R1 would become, more could have been kept and reused,“ says Leif Handberg. Even so, it is clear that the site of Sweden’s only fully decommissioned reactor has found a new productive use and continues to both aspire and inspire.

R1 Experimental Reactor – key facts

In operation: 1954 – 1970
Dismantled: 1982
Released from regulatory control: 1985
Type: Natural uranium (metallic) and heavy water Power: Up to 1MW

R1 Experimental Performance Space

In operation: 1998 –
Project leader: Leif Handberg, Associate professor in Media Technology
Contact information: leifh@kth.se